This is the first book to truly explore the origins of the American Arts & Crafts Movement.A group in San Francisco began constructing simpler buildings and furnishing them with what eventually was called Mission furniture.This lead to the nationwide popularization of Craftsman homes and furniture by Stickley and others.If you have an interest in Architecture or the "Arts & Crafts" you should read this book.
Product DescriptionMuch has been said about the Arts & Crafts spirit of Californians, their appreciation of the land, their desire to build "simple" yet interesting houses that connect with the outdoors (sleeping porches, gardens, verandas, terraces, and so on), and their love of wilderness areas. This new edition of the classic, Building with Nature: Roots of the San Francisco Bay Region Tradition, focuses on the beginnings (1865 and on) of the Bay Area shingle style and Arts & Crafts collaboration in California, and the origins of the trend toward building simple rustic homes in harmony with nature. Freudenheim explores how and why a small, influential group of Californians (including Joseph Worcester, Bernard Maybeck, Charles Keeler, William Keith, Charles Lummis, A. Page Brown, and others)--all of whom had come from the East or from England--were especially devoted to Ruskin and the Arts & Crafts style and how this combined with their dedication to California's natural beauty to create a unique architectural movement.
Building with Nature: The Development of the California Arts and Crafts Home presents some revolutionary ideas, including exciting new material on the San Francisco Swedenborgian Church, now a National Landmark and considered to be the model for several lines of Mission-Style furniture; new information on the architectural development of Russian Hill; and the similarities and differences of the almost simultaneous development of the Arts & Crafts movements in England and in the Bay Area. Freudenheim examines how Worcester and his circle encouraged less materialism through architecture that complemented a simpler life in tune with nature, and includes letters from Worcester to his cousin, architect Daniel H. Burnham, along with previously unpublished original documents relating to architectural developments in the Bay Area at the turn of the century.
Leslie Freudenheim is the coauthor of Building with Nature: Roots of the San Francisco Bay Region Tradition (Gibbs Smith, Publisher, 1974). Freudenheim has continued to work on architectural history and related areas, and has been published in the Baltimore Sun and the Washington Post. She also served as editor of Federal Design Matters for the Design Department, National Endowment for the Arts. Since 2002 she has returned to studying Arts & Crafts homes and the architectural and social roots of this movement.
From the Inside Flap
Much has been written about the Arts & Crafts spirit of Californians, their appreciation of the land, their desire to build simple yet interesting houses that connect with the outdoors (sleeping porches, gardens, verandas, terraces, and so on), and their love of natural building materials. This revised edition of a foundation classic focuses on the beginnings (1865 and on) of environmentalism and Arts & Crafts collaboration in California, and the origins of the trend toward building simple rustic homes in harmony with nature.
Freudenheim and Sussman explore how and why a small, influential group of Californians (including Joseph Worcester, Bernard Maybeck, Charles Keeler, William Keith, Charles Lummis, A. Page Brown, and others)--all of whom had come from the East or from England--were especially devoted to Ruskin and the Arts & Crafts and how this combined with their dedication to preserve California's natural beauty to create a unique architectural movement.
Building with Nature: Development of the California Arts & Crafts Home presents some revolutionary ideas, including exciting new material on the San Francisco Swedenborgian Church, now a National Landmark and considered to be the model for several lines of Mission-style furniture; new information on the architectural development of Russian hill; and the similarities and differences of the almost simultaneous development of the Arts & Crafts movements in England and the Bay Area. Freudenheim examines how Worcester and his circle encouraged less materialism through architecture that complemented a simpler life in tune with nature, and includes letters from Worcester to his cousin, architect Daniel H. Burnham, along with previously unpublished original documents relating to architectural developments in the Bay Area at the turn of the century.
Leslie Freudenheim, with coauthor Elisabeth Sussman, did pioneering research on the Arts & Crafts movement and its architectural manifestations in the San Francisco Bay region. This collaboration resulted in the publication of Building with Nature: Roots of the San Francisco Bay Region Tradition (Gibbs Smith, Publisher, 1974).
Subsequently, Freudenheim continued her work in architectural history. She wrote a weekly column on architecture and urban affairs for the Baltimore Sun, and contributed to the Washington Post and Museum News. Thereafter she served as Editor of Federal Design Matters for the Design Department, National Endowment for the Arts, and while living in Berlin (1999-2000) wrote on art and architecture for DieWelt and Art News. Since 2001 she has returned to studying the architectural and social roots of theArts & Crafts movement in California.Freudenheim lives in Washington, D.C.
Elisabeth Sussman is a curator at the Whitney Museum of American Art. Her recent exhibitions and catalogues include Eva Hesse: A Retrospective and Diane Arbus: Revelations (both originated at the San Francisco Museum of Modern Art). Sussman lives in New York City.
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I gave three stars to this book since I am a fan of the author through her previous appearances on the cancelled HGTV show, "Sensible Chic."I was expecting more from her book however and was surprised at some of the odd image qualities of the photographs.In an attempt to emphasize the "glowy" quality of her design style the photos were overly bright and un-natural and looked overexposed and just odd at times.Applewhite's style can best be described as a very unique, bright, and ecclectic version of California Wine Country style which takes inspiration from a wide variety of sources such as Spanish Colonial, French Country, Tuscan and Asian as well as others.And...make no mistake about it - Applewhite's style is great...very unique, inspired and things seems to just glow.This book does not even come close to doing her talents justice and actually makes her style look outright garish in certain photographs.I looked through my book wanting to feel more but in the end I returned it.I hope the author's future books will be a better reflection of her talents.
